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Knut
Åsdam
Cluster
Praxis, 2000, video projection
installation
Video
8’40”, colour, stereo sound. Suspension rods, aluminum track
system, commando cloth, DVD player, video projector and stereo audio system,
dimensions variable.
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Stills from video
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Externally, the room hangs like a large object hung from the ceiling.
It is made from black sound dampening curtains hung from a heavy
duty track system. Inside the “curtain space” the floor
is carpeted in dark gray, creating a warm sense of enclosure. The
video, Cluster Praxis is structured by the sound —a
narrative mix of voice and ambient soundscapes— dominated
by a 5 minute long poetic monologue, which deals with assimilation
and desire dissipating into the city. “Moving quickly from
an excavation site through selected Psychasthenia facades to a [….]
dance party, Cluster Praxis traces an ever-deepening subjectivity.
The “objective” camera angle of the exterior shots gives
way to the “subjective” first-person vantage, as the
camera melts inconspicuously into a sea of undulating dancers.”*
Cluster Praxis deals with dancing as a form of social practice,
and with the desire for collectivity and bodily social liberation.
The assimilatory aspect of dancing in a club or party makes the
dancer part of the baroque mass erotification of social space. *(from
review by Jordan Kantor in Artforum Jan, 02)
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View of Cluster Praxis from inside installation
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Suspended
curtain space from outside
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